Friday

Producer Bruce Nash ("Most Shocking") is behind this adrenaline-fueled series that features civilians and law enforcement officers in risky, selfless rescue missions. Each one-hour episode presents an account of a rescue effort from the dual perspectives of hero and victim.

Jeff has the knack for turning trash into treasure, but when he buys a load of native artifacts he doesn’t even want in order to secure a future deal, he has to think creatively to turn a profit.

Jeff loves showing newbies the ropes – but will a nervous first-time liquidator end up teaching him a thing or two?

The post WWII reconstructed fishing village of Rotterdam, might just be home to the largest, busiest seaport in Europe. Armed with the history of the old decimated city the boys make their way through the canals to catch some of the past in the present.

At a swanky school in Gloucestershire, the chaps scour a dungeon-like storage space for treasure. Drew hunts for architectural salvage at a 16th century castle. In London, a prop hire company’s best items are all out of reach. In Liverpool, Drew is determined to walk away with a few items from famed sculptor Dave Webster’s workshop.

An officer is forced to tell a driver to zip up his pants.

An arrested driver's passenger doesn't want to go quietly.

The Boys journey to Magnet fishing Mecca Voorhaven in the Netherlands also home to Windmills, tulips and canals filled with World War 2 weaponry waiting to be pulled from its murky depths. Enlisting the help of a local magnet fishing magnate to give them the 50-cent tour and new powerful magnets, they'll pull up from pillar to post, padlock to pinball?... they're literally cleaning up the waterways this time.

The Dotcom crew works their way through back-to-back obstacles, hoping for a comeback.

Mike and Frank are freestyling in Minnesota where they stumble on salvage operator Terry who has a staggering scrap yard. Everything is for sale, including a mother lode of retro signage. Next, coin-op kings Gary and John "say" they're ready to sell some of their vast collection of vintage arcade games. Frank takes a major gamble on some old school peep show coin operated machines. And retired twin brothers Steve and Tom open up their massive collection of toy cars and trucks. Danielle gets an appraisal on the peep show item.

Looking for roadside relics in West Virginia, the guys pick an Appalachian village museum where Mike ups the ante to score a rare retro motor. The museum's octogenarian owners--The Perrys--have never sold anything before, and after sealing the deal on an odd electric peacock, Mike makes his move. In Nashville, Danielle is unimpressed with the pool of quirky candidates she's met to manage the new store. Dave's Ohio storefront is filled with cool bikes and scooters but his business plan is more show than sell. With every room packed to the gills, a father-and-son duo open the doors to their staggering collection where the guys find a giant Goliath head that bears a strange resemblance to Frank.

Mars attacks as Les is presented with an alien item. Seth squares off with a customer. The pawn shop becomes the porn shop as an ex-adult film star brings in a box of his hits. Later, Ashley is reduced to tears when she and Seth argue.

Les challenges Seth to a high stakes sales competition. As the battle heats up, Les faces his most dangerous customer yet. Will security step in or will Les throw down? And later, Ashley goes toe-to-toe with a customer who won't take no for an answer.

The shop is a powder keg when customers face long lines. Les determines if a customer is fencing stolen goods. The Golds are presented with a tractor that could be worth a truckload. Les intervenes when Seth and Ashley clash.

Seth takes a beating when a negotiation turns into a fiasco. Then, Ashley scrambles to find a customer's missing guitar. And later, the Golds must stand together as they face off against a mob of desperate customers.

When it comes to the biggest and baddest loads, Marc can't help but throw his hat in the ring. Fighting off Scott and Susie, he lands the job hauling a 1928 train caboose. When he arrives, Marc finds more of a remodel project than a shipment, and has to get to work right away. Pushing the limits, this load could make him a small fortune, or sink his ship before he makes it across the country. When Roy wins the privilege to ship a pristine condition 1955 Ford Thunderbird, he's sure it'll be an easy run. But when he arrives to pick up the vintage automobile, it's the neighbors who give him more grief than he's paid for.

Jennifer uses her experience transporting livestock to win a camel shipment from Oklahoma to Vermont. Between getting lost, stopping to keep her cargo fed, and cleaning up the camel spit, Jennifer gets way behind schedule. But when her truck breaks down mid-run, the whole shipment is jeopardized. Marc gets to haul a $150,000 landing craft from coast to coast, but when he picks up a side load for some extra cash, he risks damaging his anchor load and his pocket book at the same time.

Roy heads back in to New York City when he outbids the other transporters for a job moving a catering food truck from the city's famous restaurant, Tavern on the Green. When he arrives and finds the truck in non-operational condition, Roy quickly becomes a mechanic and machine shop worker, but tensions rise when the buyer isn't willing to pay him for his extra work. Jarrett picks up a 400-lb wooden African sculpture that should make for easy money, but when he's forced to repair his not-so-trusty cargo van, he must find additional loads to stay in the black.

Jennifer may have taken her livestock specialty too far when she tops the transporters in an auction to ship a number of small animals. Between the smell, the constant feedings, and the never-ending squeals, it may be the last run Jennifer makes with so many critters. Jarrett outbids Marc in the competition to haul a go-kart in the shape of a miniature semi-tractor trailer. Moving it up the coast, he must deliver the tiny automobile in time for a local Shriner event, which will feature an entire fleet of mini semis turned go-karts. But when his van breaks down once again, it may be the last straw for this rookie's unreliable transportation.

Sean auctions contents of abandoned big-rigs.

Papa Bear takes a gamble on a mysterious item.

Jeff buys a shipment of Asian noodles that are about to expire.

Jeff goes crazy when he comes out on the losing end of a pricey electronics deal.

A patrol officer pulls over a playboy driving a Ferrari.

Police officers pull over drivers with excuses for speeding.

Mike and Frank spot a White Castle burger joint on an Ohio farmer's front lawn and discover his extraordinary collection of vintage buildings and vehicles. A promising Iowa home reportedly packed with antiques yields everything but. And, the guys hit pay dirt when they visit a sprawling 880,000-square-foot former factory home.

Mike and Frank stumble upon a potential mega-pick in Northeast Iowa, but will it yield any treasures? Danielle has a lead on a rare, 15-gallon antique gas pump. The guys explore an 1879 Illinois opera house that hasn't been touched since the 1930s. And, Mike introduces Frank to a 94-year-old master collector. Can they pick the picker?

Les and Seth clash over the business when Les' idea to give away massive cash in the parking lot creates a dangerous situation. In the midst of the turmoil, Ashley recruits Seth in an attempt to make stripper poles in-house. Will the new venture turn a profit or leave the Golds belly up?

Les flips out when his security guard shouts down a customer. Then, the staff squirms when Seth and Ashley clash over whether or not to buy a collection of venomous reptiles and hissing roaches. And later, the Golds - disgusted by their security staff's performance - decide its' time to find a new head of security.

Todd and Tamera take on some Monsters in a move that proves to be anything but cinematic. Meanwhile, Dusty picks up some travelling companions of the strong, silent type. Can any of the transporters make it to their destinations with their sanity intact?

Jessica finds herself asking a LOT of questions after she agrees to transport a seller's loved one named Bruce. Dusty hits the road with a giant cow skull that leaves him crawling through the desert heat.

With a big-time buyer already on the way, engine and upholstery problems threaten to derail Richard and Aaron’s red ’67 Cadillac convertible.

It’s the final week of the season and Hard Merchandise holds a narrow lead over the fleet

Producer Bruce Nash ("Most Shocking") is behind this adrenaline-fueled series that features civilians and law enforcement officers in risky, selfless rescue missions. Each one-hour episode presents an account of a rescue effort from the dual perspectives of hero and victim.

Producer Bruce Nash ("Most Shocking") is behind this adrenaline-fueled series that features civilians and law enforcement officers in risky, selfless rescue missions. Each one-hour episode presents an account of a rescue effort from the dual perspectives of hero and victim.